I am an Acolyte – a partisan of the Mother of God, indifferent to my life and death in this world for the sake of Christ.

I am the ghost of the old world, coming back to haunt these pitiable times — being born in this age, I have rejected its shameless insurrection against God, and not only have I rejected it but I have made of my life a sign of contradiction against it. I am the Counter-Revolution.

The Acolytes have come to harrow this faithless age as Christ harrowed Hell after His Passion. Death expected to receive only a man – it encountered God, and was cast down.

This era of history thought it was receiving a hopeless and dissolute generation – it will encounter the Acolytes, and because of this will soon come to its conclusion.

Where there is one Acolyte, there is the complete death of today’s faithless world. One Acolyte life is one casualty for the dying culture, whose demagogues believe that they will direct the course of history because they have brought such a great amount of people into the dark. But as ‘love covers a multitude of sins’, so the sacrificial life of one Acolyte covers the profligacy of many. A person who would be discouraged from the fight even if he were the only one alive in the world who still remembered God, is not to be found in our ranks.

Lord, you have told us:

Therefore, I declare war against my own self interest, against that barrier between me and my God, between me and my brothers and sisters. In this warfare let me be a merciless and unsympathetic conqueror; but in my love for others and patience with their faults let me be most compassionate and lenient.

We’ve arrived at the point of ruin that past generations thought to be far away. Acolytes are those who will restore what has been lost – even though it’s too late. We haven’t arrived until now because if we came when there was still any hope, the rationalists could have predicted our victory. We have come late, long after it has became hopeless – so that the rationalists may be put to shame, and to show forth the ignorance of this world.

A new type of human being came to exist 2000 years ago – the Christian – who bears the name of Christ. The Christian lives not according to this world – he lives according to its coming end. Christ lives in the one bearing His name; the one who has Christ living in him has no need of any other life; much less the “life” offered to us by this age of indulgence, this life apart from God. Acolytes want to be living icons of the beauty of the Christian life, to give our lives in oblation.

The words of Padraig Pearse:

This is the essence of our movement. We are not like those who live in fair times when a home, a family, children, and a fulfilling life are not far out of reach. No, we live in times of disgrace. Even on a purely secular level, we are facing a privation of even the most fundamental parts of a happy life in a functioning civilization.

The state of our profligate, consumerist western world has gotten so depressing that there just isn’t any use anymore in intellectualizing about how bad it is. People have been doing that for a while. What is needed now is a group of people whose lives are so sharply set against this age, who are so annihilated to the love of self, so peacefully and sweetly reposed in their militant defiance of this dishonorable, calculating modern world that just the passive presence of two or three of such people is enough to put the whole thing in distress.

Perhaps we almost enjoy living in such shallow, depressing times; maybe we get some satisfaction in being surrounded by consumerism and getting to pretend like we are something or someone meaningful in the midst of it. Maybe there’s something romantic in this; but that isn’t the romanticism of the Acolytes. Our romanticism lies in our resolution; we want to tear down the images of our imprisonment – the products, the entertainments, the noise, the sin – with greater fervor than the fervor of those who can’t stand the holy images of our Faith, who look with apathy at the forgiving and saddened countenance of our Savior.

Our romanticism is of reparation; our lives and the vitality of our youth given up in a sacrifice of consolation to Christ.

“You’re not making Christianity better, you’re just making rock music worse.”

– Hank Hill

Christians have created the greatest works of art in Western society. In fact, they define Western society. Religious art, such as Michelangelo’s David or his paintings in the Sistine Chapel, are known as “the works of the Great Masters.” Mozart’s Requiem is called “Classical Music” (a classic being something that is timeless or the best of its kind). Because the essence of Western society was Christian, so naturally its artists created Christian art, because they could not create any other.

These artists portrayed a timeless and transcendent beauty, a beauty which was bestowed upon Nature by its Creator. Thus, their art was a form of communion with God, the timeless, transcendent, and all-beautiful One. Because it portrays the universal beauty of a universal God, it can be appreciated by all men from all places and at all times. Today, we still hold the Great Masters as the pinnacle of artistic achievement. Those from outside the West, whether they be Buddhist, Muslim, Hindu, or even atheist, travel from across the surface of the world to bask in the beauty of our cathedrals.

Yet something has happened to our art. It is something that seems far off and fossilized. Relics from another time. It appears to the contemporary person old-fashioned and from another civilization than our own. Contemporary art is from a new civilization — a secular civilization. At its best, contemporary art no longer portrays the timeless and transcendent beauty of the Creator but rather the self-indulgent expression of the artist. Other times, it portrays mere novelty. At its worst, it even portrays outright ugliness — a rebellious, “anti-art” that makes an open mockery of the very concept of aesthetics.

The Church has little to nothing to do with any contemporary art. Art that is popular, relevant, or significant –– whether in the form of literature, architecture, visual art, or music — art that can be said to be representative of our contemporary civilization, is strictly secular. The few remaining contemporary attempts at religious art are ineffective, and come off as boring, a hollow rebranding of secular art with Christian motifs, or simply a stale attempt to copy a once glorious past that has been lost to time.

In the rest of this article, we will take a look at what Christian art works, what does not work, and see if we can diagnose and perhaps cure this ailment.

What Works

Christian art works best when it has the following characteristics:

1. Authenticity – if the art is too “try hard” or not a true expression of the artist, it loses its authenticity and thus its expression of “truth.” There is a certain organic quality that must be present.

2. Transcendence – This authenticity, as an expression of truth, is in itself a form of transcendent. There are other expressions, such as, most obviously, aesthetic beauty. Also, technical skill – an expression of fortitude, intellect, etc. – is another transcendent quality that can transmit in the audience a sense of awe. Effective art is a communion between the artist, the audience, and these transcendent qualities.

3. Romance & Emotion – Art is a meeting between the human nature of the artist and the divine transcendent. Part of the artist’s human nature is the artist’s heart. Post-modern art tends towards being “conceptual,” or else an expression of trivial passion that is often highly subjective and local to the artist or their particular secular identity. Deep human emotion can communicate a complex and universal human condition, which is another particular case of the transcendent, the nature of the created order which flows from the creative will of God.

4. Tradition & Context – Effective traditional art draws on a continuous tradition. It is a living organism. This is another form of transcendence. While post-modern art is solely an expression of the individual, traditional art is an expression of the civilization that created it, and ultimately all of mankind. This is especially true of Christian art which an expression of the Body of Christ. Thus, effective Christian art should be Christian. It should draw on the rich tradition of the Church handed down from the beginning until our own time.

“When a society is perishing, the wholesome advice to give to those who would restore it is to call it to the principles from which it sprang.” – Rerum Novarum.

5. Ingenuity & Contemporaneity – At the same time, art should not simply be a mere mimicry of what has come before it. To do so is to implicitly acknowledge that the tradition is a fossil of another time, not a living tradition that continues unto this day. It also detracts from the authenticity of the art. Every age is slightly different, and re-contextualizes tradition, in the same way that a living person will behave differently in different environments, yet at the same time this action is consistent with the nature of that same person. “Copy-catting” or “LARPing” is a frequent obstacle to effective Christian art. Christians should embrace new media, such as memes, AI, digital art, electronic music, and what have you, but they should use them to express Christian ideas – “where can God work through this new development?”

6. Not a Copy of Secular Art – There is another frequent obstacle to effective Christian art that is even more ubiquitous than “copy-catting” traditional art, and that is copying secular art. This obstacle reduces authenticity. Secular art, by its very nature, contains a separate set of implicit ideas. This is why Christian Rock is the ultimate example of bad Christian art. It is impossible for Christian art to out-rock-n-roll rock-n-roll. Simply copying a secular piece of art and making it Christian is like slapping a sticker of a cross on something, rather than baptizing it. Christianity has to create on its own terms, leading rather than following. A better alternative is experimentation from scratch. Forget you ever heard techno music and apply the principles of Gregorian chant to a synthesizer.

Art Review

Here are some contemporary Christian artists, chosen at random.

Some are high art, others are a mix of more pedestrian art/popular art comparable to secular popular art.

Owen Cyclops

Owen Cyclops is a New York–based illustrator and comic artist whose work explores themes of religion, mysticism, symbolism, and esoterica, often through a Christian lens. His art blends sacred imagery with contemporary commentary, aiming to counteract the pervasive influence of modern visual culture.

I first found him on right-wing Twitter, where his tweets often went viral.

https://owencomics.com/

1. Authenticity — 9/10

Owen draws heavily from his own life. His comics feature personal anecdotes, spiritual and theological questions, American Christian esoterica, conspiracy theories, stories from his pre-Christian life as a hippie artist who experimented with psychedelics, observations about the absurdity of modern life, etc.

2. Transcendence — 5/10

The art is highly focused on his own personal life. It has a fairly down-to-earth style. So, transcendence is not the first thing that comes to mind. But it is not anti-beauty either.

3. Romance & Emotion — 7/10

Owen’s work may not necessarily be “romantic” per se but it is deeply personal. The audience can certainly relate to his comics and his emotions pertaining to contemporary life as a Christian.

4. Tradition & Context — 9/10

Owen draws on Christian themes and symbolism heavily. One of his most well-known comics points out that the “goth” aesthetic often used by anti-Christians is really an expression of the Christian motif of “momento mori.” On his website, he offers a fully illustrated liturgical calendar.

5. Ingenuity & Contemporaneity — 9/10

Owen Cyclops excels at using new media, especially meme aesthetics and digital formats. He has a large following on Twitter. Although trained in classical art, his style is highly contemporary and unique. His work shows how Christian thought can be injected into modern forms without simply copying secular trends. His art is clever, timely, and inventive.

6. Not a Copy of Secular Art — 9/10

His art style is contemporary and in a modern format. Aside from this, he really is not trying to create a “webcomics but Christian” product.

Death to the World

Death to the World is an Eastern Orthodox Christian zine founded in 1994 by monks from St. Herman of Alaska Monastery in Northern California, notably Justin Marler, a former member of the doom metal band Sleep. Aimed at reaching disillusioned youth in the punk and metal subcultures, the zine promotes the ancient principles of Orthodox Christianity as the “last true rebellion” against modern nihilism and despair, encouraging readers to be “dead to this world and alive to the other world”.

https://deathtotheworld.com/

Authenticity – 9/10
This is a good example of “baptizing” rather than “copy-catting.” Although it does participate in a secular music movement and format (zines), this is a movement that the creators were authentically a part of prior to their conversion. They emphasize and extract the Christian elements – and thus transcendent truths – already inherent in this movement for their aesthetics.

Transcendence – 9/10
The message of the zine expresses a perennial Orthodox motif.

“Keep thy mind in Hell and despair not.” – St. Silouan the Athonite.

“If you give all your life to the Earth, the Earth will give you a tomb; but if you give your life to heaven, heaven will give you a throne.” – St. Ephraim the Syrian.

This motif is common to both the metal/goth music scene and Christianity. The difference is that the Christian life offers an answer to momento mori, not simply nihilism and hedonism. This creates a more complete message.

Romance & Emotion – 10/10
The zine channels the intense emotions of its readers, addressing feelings of alienation and despair by presenting the profound emotional depth found in Orthodox spirituality. The gothic aesthetics are literally romantic (goth comes from the original Romantic Art movement) and it doesn’t get much more emotionally dynamic than contemplating your own death. This romanticism is one of the prominent themes of metal and alternative music, and Orthodoxy speaks to the same inner heart of a person from whence this comes.

Tradition & Context – 9/10
It is firmly rooted in Orthodox tradition and aesthetics, and the zine draws upon the writings of Church Fathers and monastic teachings, presented in a contemporary format. The zine format hearkens back to the epistles circulated by the early, underground, DIY Church of the apostles.

Ingenuity & Contemporaneity – 10/10
By utilizing the zine format popular in punk culture, it ingeniously bridges the gap between ancient faith and modern subcultures, demonstrating that Orthodox Christianity can be both timeless and timely.

Not a Copy of Secular Art – 7/10
Death to the World does copy the themes of the metal and alternative scenes, but the alternative scene copied them from Christianity first. So Christianity ultimately owns them. The zine format is something that originated from outside the Church in a secular subculture hostile at times hostile to Christianity, so in this sense they did copy the secular culture, thus they lose a few points.

Honorable mention: Kat Von D.

She followed in a similar vein to Death to the World, emphasizing the aesthetic appeal of Orthodoxy in order to appeal to the alternative scene. Some might say this is shallow, but even if this were the case, if it gets people to their first Divine Liturgy, God can take them the rest of the way from there. And I would argue that it is not shallow, but draws upon the same transcendent aesthetics.

Honorable mention: “Orthobro” TikTok edits

Another similar version of this are Orthodox Instagram and TikTok accounts, which copy the Death to the World gothic aesthetics, this time applying them to a new technology and format. The “zine” format is a little dated and Gen-X/Millennial coded, and this is a bit of an updated version of the same idea. The “Orthobro edits” show how this same strategy of “baptizing” rather than copying can be applied to various media.

Arvo Part

Arvo Part is an Estonian composer of contemporary classical music. He is also an Orthodox Christian. Part’s music is inspired by traditional religious music such as Gregorian chant, but has an extremely modern and avant-garde style. He was the most performed living composer from 2011-2018, and 2022.

While a bit older than the others – his works go back to the 70s – Arvo Part does an excellent job of creating truly high art by blending the traditional with the modern, and is an excellent model to follow for those aiming higher than “art zines.”

According to Wikipedia:

In April 2020, although Pärt rarely gives interviews, he spoke to the Spanish newspaper ABC about the COVID-19 pandemic, stating that it was a “mega fast” and reminded him to follow the example of John Updike, who “once said that he tried to work with the same calm as the masters of the Middle Ages, who carved the church pews in places where it was impossible to see them.”

Authenticity – 10/10
Part’s music is totally sincere and original. He is a highly trained classical master who built on the techniques of old masters who came before him, and then invented his own. This is the ideal Christian artist.

Transcendence – 10/10
His works evoke a sense of the sacred, often described as transcendent and meditative.

Some contemporary and experimental composers of the 60s and 70s emphasized dissonance, and had an “anti-art” style, or a style that simply embraced novelty and subversion for the sake of novelty and subversion, Arvo Part instead, embraced experimentation while adhering to transcendent notions of beauty.

Romance & Emotion – 9/10
While Part’s music is characterized by restraint and minimalism, it conveys deep emotional resonance.

Tradition & Context – 10/10
Part draws heavily from early Christian music traditions, particularly Gregorian chant and Orthodox liturgy. His compositions are deeply rooted in these traditions, yet he presents them in a contemporary context, bridging the ancient and the modern.

He writes choral music, featuring familiar liturgical pieces such as “Kyrie,” “Gloria,” and “Angus Dei” – just as the traditional masters such as Mozart once did. However, his compositions also represent the peak of avant-garde contemporary composers such as Phillip Glass.

Ingenuity & Contemporaneity – 10/10
By creating the tintinnabuli style, Part introduced a novel musical language that resonates with contemporary audiences while maintaining a timeless quality.

Not a Copy of Secular Art – 10/10
Part’s music isn’t a copy of anything. It is totally original and represents mastery over the forms and techniques of composition.

Healing Aesthetic Sickness

Aside from the fact that religion was simply an inseparable part of the average person’s identity (such that an artist’s self-expression necessarily entailed a religious expression), there was another practical cause of the Church’s dominance of our civilization’s artistic output. The Church simply found the most talented artists and patronized them to make its art. It is really that simple.

The Church simply needs to find people who are 1. Good at art 2. Christian, and give them money to create art. However, it must take care to do both simultaneously. One without the other is inefficient.

If the Church patronizes artists who are not skilled simply because they are Christian, this will do damage to its reputation as an institution that creates good art, and the art itself will be of poor quality, doing a disservice both in terms of glorifying God and edifying the audience. Thus, the Church must take great care to be discriminating in its patronage and to hold high standards. It may not seem “nice” to turn down a mediocre artist who is nonetheless zealous in their faith and innocent in their intentions, but it is necessary and just. The Church also holds a responsibility to offer the best fruits of its harvest as an unblemished offering to God, who is only worthy of the greatest. It should be a privilege to be accepted for the Church’s patronage — this alone will be a self-fulfilling prophecy, making such patronage scarce and therefore of inherent value.

If, on the other hand, the Church patronizes artists that are skilled but unbelievers, then it will fail at institutionally supporting and promoting Christian artists, and as more money flows to secular artists, it will be these who have this means who will continue creating. If there are simply not enough excellent Christian artists to meet its high standards, then the next step is to produce some through education. Find those artists that do not yet meet the high standards of the Church, but show potential either through undeveloped talent or an industrious spirit. Then, these candidates should be trained to develop high technical skills according to objective standards. For example, for music, artists should receive a classical education in the fundamentals such as chords, scales, point, counterpoint, reading music, studying classical and contemporary music, etc. Or in the case of visual artists, they should be trained to paint in a classical, realistic fashion as did the old masters. However, so that they are not simply copying older traditional forms that are no longer relevant, they should also be given opportunities for experimentation and dialogue with more contemporary styles.

The ultimate aim should be a fusion of traditional and the contemporary — an expression of universal and transcendent excellence from within a modern context. An avant-garde traditional art.

In this sense, the Church is lucky to live in such times as ours. In the past few decades, secular art has been of a very high quality. But increasingly, secular art has started to decline. This is felt in the increasing proliferation of “safe” art that is created by large corporations to be cheap and have mass appeal. In consumer goods such as cars and clothing, vivid colors have been replaced by blacks, whites, and greys. Movies churn out sequels and remakes. Culture has become “stuck” (https://lindynewsletter.beehiiv.com/p/culture-stuck). Due to the “culture war” between “wokeness” and “anti-wokeness,” entertainment must be careful not to say anything that can offend one side or the other, and thus often ends up saying nothing at all. Or, it participates in the culture war by telling stories with a preachy, ham-fisted agenda. There is an appetite for something new and different. A void for aesthetic beauty has opened up that beckons to be filled.

Creating a Beautiful Society: An Act of Charity and Source of Conversion

Why is it so important to cultivate a Christian artistic movement? Why is such an investment of time and money necessary?

In fact, this is a common criticism leveled by low-church Christians, who tend towards iconoclasm, towards traditional apostolic Christians.

“Shouldn’t the church spend all that money on the poor?” asks the Evangelical Christian to the Catholic.

They echo the criticism of those who were with Jesus in the house of Simon the leper when the woman anointed Our Lord’s feet with expensive ointment. We, like Our Lord, understand that it honors God when we anoint His mystical body with beautiful things. It is only those who degrade art to the level of a mere consumer product that would question the practical utility served by investing in art.

Nevertheless, there is an answer also to their practical concerns.

The first is that the creation of public art is an act of charity to the poor, just as much as food or clothing. For “man cannot live on bread alone.” In a secular, hyper-capitalist society, only the rich have access to beauty. They can afford beautiful homes, beautiful neighborhoods, and beautiful possessions. The poor, meanwhile, increasingly live in cheap, un-aesthetic housing in graffiti-covered, cramped apartment complexes of cement and asphalt. The public art that they do have access to, mostly a creation of a secular government, is often ugly, post-modern slop, if they are lucky enough for it to exist at all. Whether it be the inside of a beautiful cathedral, streets lined with buildings with beautiful facades, or beautiful public statutory and murals, all of these provide both poor and rich alike with the dignity of surrounding themselves with the beauty of God’s creation as reflected in the creative works of His creations.

The second is that beauty is a tool of evangelization. Not all men are brought to the Church through well-crafted philosophical arguments or inspiring homilies. Some are brought to the Church through a conversion of the heart. This can be a dramatic period of their life that turns them towards God. Or, it can be a longing for some good that they can sense is sorely missing from society — justice, morality, or even simple beauty.

Grand Prince Vladimir of Kiev sent his emissaries to tour the world in search of the true faith. Upon arriving in Constantinople and entering the Hagia Sophia, they reported to him the following:

Then we went to Greece [Constantinople], and the Greeks (including the Emperor himself) led us to the edifices where they worship their God, and we knew not whether we were in heaven or on earth. For on earth there is no such splendour or such beauty, and we are at a loss how to describe it. We only know that God dwells there among men, and their service is fairer than the ceremonies of other nations. For we cannot forget that beauty.

This encounter with beauty resulted in the “baptism of Russia.” To this day, the nation of Russia is home to tens of millions of Orthodox Christians. If it had not been for the beauty of the Hagia Sophia, all of them could easily be Muslim or Pagan instead.

The same phenomenon is just as likely today. Every Christmas, even some of the most secular Americans cannot resist the allure of the beauty of traditional Christmas hymns celebrating the nativity of Christ. How many, each holiday season, wander into a Candlelight Mass simply to enjoy a romantic holiday night, only to encounter the God that dwells there?

Recently, New York City has seen a recent wave of conversions from atheistic liberal hipsters into traditional Catholics due in part to the beauty of the Traditional Latin Mass. In one case, a well-known transgender model known as “Pariah Doll” converted to Catholicism, abandoned his lucrative but unseemly career, and detransitioned.

Thus is the power of Our Lord, and the gift of beauty He has bestowed upon us. It is therefore the responsibility of the Church to revere, cultivate, and protect this most Holy Gift, this most precious Energy of Our Father, and set it on high for the adoration of mankind, which is due to it.

The identity of America is in a moment of crisis. We will not put forth an argument proving that this is the case. All who have lived through the last decade of disruptive political and cultural events understand this on some level or another.

The crux of this crisis lies in our apparent inability to answer one fundamental question: What does it mean to be an American?

The reason for this problem is simple. It is the logical conclusion of the “propositional” nature of American identity that has been promulgated by American neoliberalism.

If American identity does not rest on the grounds of a shared race, religion, or heritage; If America is simply an economic zone where anyone, anywhere can come to get rich quick; If everyone in the world is effectively an “undocumented American”; If America is merely an administrative unit overseeing a hodgepodge of entrepreneurs and laborers; then Americans are merely interchangeable economic units and American citizenship is simply a formality — nothing more than a piece of legal paperwork. The American nation is not truly a nation but only an American government.

But Americans are not merely interchangeable economic units. Americans are people. And every person has a distinct identity: a distinct sex, a distinct race, a distinct culture, a distinct religious heritage. It is these immutable qualities (which we did not consent to or freely choose, but which were given to us by God) that make up the true essence of a person. American capitalism is simply the other side of the same materialist coin as the Soviet communism that preceded it in the last century. Both ideologies strip away the identity of the individual and conceive of each person only in terms of their material conditions. People are not made in the image of God and have no inherent human dignity. Instead, they are atoms, moving chaotically through the bowels of an impersonal, bureaucratic, economic machine.

It is for this reason that, as Christians, we must reject the antichrist ideology of American capitalism with the same fervor as Soviet communism. Both do violence against the dignity of the human person and are thus immoral.1

With this rejection necessarily follows the rejection of the propositional nature of American identity. The American identity must be rooted in the immutable, intrinsic qualities of Americans as a collective people.

All of the ills of modern American society: the alienation, the widespread homelessness, the lack of a sense of belonging, the inability to form families, the lack of decorum in public life, the decline in the sanitation of public spaces, the widespread addiction to drugs and pornography, the lack of beauty in public architecture and art, the lack of a commons, the exploitation of the American worker, the hustlers and the scams so prevalent in our society — all are simply the consequences of the application of a false conception of Man as Economic Unit and no more.

The Final Aim

It is thus the Final Aim of the Acolytes of the Theotokos to promote an American identity on the basis of the Christian Faith.

It is Our aim to utterly transform the current American nation into a nation of Christian zealots2.

It is Our aim to eclipse all previous religious great awakenings that have preceded it in its scope and magnitude.

It is Our aim to unite the American people under one homogenous identity, built upon the Rock of Christ.

The Nation of Profiteers

When America was founded, it was primarily by two groups: Profiteers and Pilgrims.

Much is made of the first group. America is often lauded as a nation of entrepreneurs, who settle here from around the world to follow their dreams — dreams that are solely occupational in nature. America is often lauded as a “free nation” — a freedom that does not entail the autonomy to pursue one’s own moral code, but rather the freedom to enslave oneself to whatever hedonistic amusements they so choose.

It was this group of Profiteers that from the nation’s very inception stained its spiritual character and permanently spread the seeds for all of its subsequent identity-related conflicts. That is because it was through this first group that slavery entered America. These slaves were brought here in order to create the cash crops that America needed to compete in the world economy and raise the GDP, while the plantation owners lived lives of unproductive leisure.

This was the conception of the American as a mere economic unit in its purest form. As Christians, we do not condemn this evil practice on strictly Leftist “social justice” terms, in which a particular race is held responsible for a sinful institution that was practiced at one time or another by all of sinful mankind. Rather we condemn — and have always condemned3 — slavery in whatever form it presents itself, because it deprives the human person of their inherent dignity as sons of God.

Yet since the abolition of this barbaric practice, the Profiteers of America have sought to recreate it in various forms, through exploiting the American worker in such a way as to reduce him to “wage slavery,” and through seeking cheap labor from foreign lands.

America’s original sin muddied the waters of American identity and created permanent racial discord in the nation. In fact, it even deprived it of its ability to be a nation in a truly strict sense.

The word “nation” stems from the same root as the word “natal.” It indicates a connection by birth. The very concept of a “nation” is a state that is united by the shared ancestry of its members. “Nationalism” is thus opposed to the multi-ethnic empire. It is the idea that a people united by blood should also be united in political representation by means of their own sovereign government. Thus, defining the word “nationalism” in a literal sense, “ethno-nationalism” becomes redundant. All nations are “ethno-states,” strictly speaking.

Due to the original sin of slavery, America was cursed to be forever deprived of true nationhood. America could never be, from its very inception, a state united by blood.

Nevertheless, the question of true nationhood would be delayed until the middle of the 19th century. This is because the African slaves, as slaves, were deprived of their citizenship. Thus, while Americans as men were not united by blood, Americans as citizens were. This is how John Jay, in arguing for the adoption of the Constitution, could argue in The Federalist Paper No. 2:

Yet America was only to be a “band of brethren” for as long as the African American slaves in their midst were denied the dignity of their personhood. From the time that they (fortunately) became equal citizens, the band of brethren was indeed split in two.

From then on, the blood of the country continued to split into trickling tributaries. Waves of immigrants continued to dilute the ancestral blood — first into one of a broadly European heritage in the 20th century4, before finally disintegrating any remaining ancestral ties whatsoever by the beginning of the 21st.

This fate was the product of the Profiteers. It is they who even to this very day — seeking the cheap labor of aliens whose dignity they can neglect, rather than the pricey labor of their fellow citizens whose dignity is protected by their rights as citizens — support “stapling green cards to the backs of diplomas” and expanding H1-B visa programs.

At this point, no matter what one may desire, even an immigration moratorium and mass deportations of illegal aliens cannot restore this country’s demographics to what they were during the time of John Jay. It seems that America is destined to become a majority-minority state in the near future and beyond.

Thus, it is impossible to create an American identity that is based on a nationhood of blood ties.

If we are to seek a true American identity based on our shared personal characteristics, we must search elsewhere.

The Nation of Pilgrims

Before the “nation of immigrants” was founded through Ellis Island, before John Jay and the Constitution, before the American government became an independent entity, America was a nation of Pilgrims.

America was founded by religious fanatics and extremists. A nation of Puritans and Quakers. They sought to make America into a new Holy Land. A new nation whose very society would have God at its focal point, as He always deserved to be. Just as the Temple was at the center of the nation of Israel, so too would the Son of David be enthroned at the center of American society.

While we may disagree with some of their theological positions, we should aspire to the extreme piety and reverence of these Pilgrims.

It is this American identity as a Nation of Pilgrims that the Acolytes of the Theotokos seeks to re-assert. It is the only viable alternative to the slave society of mere economic units promulgated by the Profiteers.

Our vision is not based purely on practical cultural or political concerns. We all believe earnestly in the Truth of the Gospel. Nevertheless, there are also practical considerations that make this the only viable solution to America’s crisis of identity.

1. We have the Truth on our side. The Enemy has already infiltrated most of America’s institutions. We cannot match them in pure materialist terms of wealth and power. Thus, our sole advantage lies in our possession of the Truth and the immeasurable power bestowed upon us by this fact.

2. Christianity is the sole consistent aspect of American identity. Identity by its very nature is an immutable attribute that cannot be manufactured or mimicked. Other aspects of American identity, such as race, have developed over time. Our constitutional government, while consistent, is impersonal. However, our nation since its very inception has had a particularly Christian character. It is a living shared identity that does not have to be invented or inorganically parodied.

3. Christianity is a universal faith. Christianity believes that all people are equal under God. Whatever their racial, cultural, social, political, etc. background, no matter what their other aptitudes, all share in a common human dignity based on our creation in the image of God. Thus, Christianity alone can unite all of the many diverse people of America under a single identity.

4. Christianity defends human dignity against the excesses of capitalism. The abuses of the Profiteers have always been counter-acted by the activities of the Pilgrims. It was the Quakers and other Christian abolitionists who freed the slaves on explicitly Christian grounds. The Profiteers, for all their evils, are nonetheless responsible for America’s great material wealth. If the generation of this material wealth can be circumscribed by Christian virtue, then we can continue to enjoy its benefits without incurring the just reprimands caused by its excesses.

5. Christianity transcends politics. Aside from (or perhaps downstream from) America’s crisis of identity is America’s so-called “political division.” Christianity transcends this division between “Left” and “Right,” while counteracting the shortcomings of both.

   The Leftist shares the Christian ideals of compassion for the poor and the marginalized, and in its critiques of the excesses of capitalism. However, Leftism creates a lawless environment of utter permissiveness where all of the worst sins of mankind’s fallen nature are either tolerated or outright encouraged.

   The Rightest creates a productive society of law and order. However, they lack the compassion of the Leftist. They create a Darwinian society in which there is no recourse for the poor and marginalized.

   Only Christianity can provide the Left with order and the Right with compassion.

FIDES: The Five General Principles

The Acolytes of Mary acknowledge that man is not a mechanical animal, but an organic creature. Any attempt to engineer human behavior from the top down, when taken to its greatest extreme, will result in the same dehumanization that we seek to avoid.

Human organization works best when it self-organizes around a particular set of shared principles. Therefore, to accomplish the Final Aim of the Acolytes of the Theotokos, the Acolytes of the Theotokos should focus its activities on Five General Principles, or FIDES:

1. Freeing ourselves and others from the bonds of capitalism, insofar as it does violence to the dignity of man. This includes holding material goods in common as far as this is possible, advocating for the rights of laborers, abstaining from unvirtuous or unproductive forms of labor, serving and educating the poor, supporting Christian-owned businesses, and materially supporting Christian families or those who wish to have them but are prevented from doing so due to material concerns.

2. Imitating pious Christians of the past and applying their character, teachings, and behaviors to the present moment. These include the Christians of the Apostolic Age, the Pilgrims, the 19th-century Christian reformers, and of course the Saints. We seek not only to mimic but to develop an authentic living Christian tradition by adapting it to a new age.

3. Developing Christian culture. The arts are dominated by neoliberal ideology. Art has become a consumerist product, rather than a way to glorify God, the Creator of all beauty.

   Public art and architecture, with its godless, post-modern aesthetic, deprive our citizens — especially the poor — of beauty, and instead poisons their souls with ugliness. Thus, we shall become patrons of Christian art — whether visual art, film, music, architecture, or digital mediums. The greatest art of Western civilization such as the paintings of the Sistine Chapel, the architecture of the Cathedral of Notre Dame or St. Vitus Cathedral, and the music of Bach and Mozart, were all created by Christians. It is a disgrace that secular art has eclipsed Christian art in the popular consciousness.

   Our artists shall balance the traditional with the contemporary, the popular with the sophisticated, in order to glorify God by sharing in His creative energies. We shall once again give material aid to the greatest artists of Western Civilization until the art of the Church once again dominates our society.

4. Educating ourselves and others. We are to re-learn our neglected Western traditions and pass them down. We are to become experts in theology, philosophy, and history. We are to develop a new “Traditional Canon” for the humanities — an academic curriculum that presents history and the social sciences through an explicitly pro-Christian, pro-Western, and pro-tradition lens. We are to promulgate the Traditional Canon to students across the West.

   We are to offer free education to all, especially the poor and those unable to pursue higher education. We are to teach them the Traditional Canon, moral virtues, Christian doctrine, and practical skills for the betterment of themselves and those around them.

5. Sanctifying our own lives and our society.

   Above all, we are to live pious and reverent lives.

   We are to abstain from all sexual immorality.

   We are to study and cultivate the virtues.

   We are to pray at a minimum twice daily, in the mornings and evenings.

   We are to study Sacred Scripture and other religious texts at a minimum once a week.

   We are to hold a strict fast on Wednesdays, Fridays, during Advent, and during Lent which shall include abstaining from all animal products, oil, and alcohol.

   We are to attend the most reverent religious services we can find in the immediate area every Sunday and day of obligation.

   We are to wear at least one object professing our faith, such as a crucifix, at all times in public.

   Most importantly, we are to break down all barriers between our sacred and secular life, until our every action aims to directly serve Christ the King. We are to hold all other members of the Society accountable for living a Sanctifying life, but first and foremost ourselves.

The Acolytes of the Theotokos was founded in the year of Our Lord, 2024, to bring about a restoration – not to return to some point in the past, as some would like to do, nor to embrace the course of destruction that secular modernity has taken the western world down, as most have, but to take up again our inheritance which has been betrayed, and to take up the traditions handed down to us by our dead generations and defend them from the onslaught of this age, that we may hand them down to our children.

We are young people, from a generation under siege, who have resolved that the hopelessness of modernity must end with us; so help us God. The Society throws itself forward as a wall of defense standing between the innocent and all weapons raised against innocence.

Firstly, we are a cultural organization, committed to teaching the youth the way of life of the Old World, that is, the world as it was before the hegemony of western secularism. We are committed also to giving our members a strong community, a movement to belong to that is active in the real world and united not just by shared ideals but by visible brotherhood and action. The fundamental point of our Society is to give people a way to gain spiritual and economic independence from the state of vanity and corruption of the world around us, what we consider the ‘culture of death’ that is so harmful to the human spirit; and using the existing infrastructure, to build a true, living, beautiful culture out of the one that is dying.

We wish to see extinguished from this land all those things that destroy the human spirit and bring to a halt the natural pattern of life – unchecked capitalism, consumerism, immorality, nihilism…

We will stand in defense even if our immediate chances of victory are none. We don’t weigh and calculate, we trust only in God. We don’t make political guarantees, but this we can ensure; that at the very least our generation’s final act may be an incursion against all those forces that have for so long poisoned and used us and those before us. We don’t know if the victory we envision will be ours or our children’s, but we will fight to the end of our souls’ capability to make sure that the sun will soon set on the culture of death that has been inflicted on us.

We aren’t a political group. Because truly, what is taking place in our nation has no political solution. The culture of death must be fought, disrupted, and replaced by a culture separate from it, a culture of light. The days we live in ask us to tolerate evil and to affirm its privileges; that is something that can’t be asked of those who truly believe in goodness; for good has no communion with evil, and light has no communion with darkness. A right is something that is owed; we owe nothing to evil, to the “father of lies”. But we owe it to the Thrice-Holy God to renounce the devil and all his works.

Our resistance to consumerism isn’t radical in itself; there is practically nobody that speaks positively about it. But we are not only criticizing consumerism – we are giving people a tangible way of bringing it to an end. We don’t deem it enough to simply withdraw ourselves on an individual scale from consumerist society. We don’t want to just free ourselves, but to free all people who crave freedom, and to give the consumerist culture its anticipated execution. This force that has done so much damage to so many souls, that has wrought so much misery on us, does not need to just be fled from; it needs to be made into a ruin, a page in history.

How will we do it?

With extreme ingenuity.

The mercantile pop culture, as we call it, depends on people remaining participants in it. It is not a ‘culture’ in the same sense of the word as a culture that arises naturally from heritage and customs; instead, it is a social and economic phenomenon that tends towards the destruction of authentic, local cultures in favor of an international market culture. It depends not on the spiritual life of a people, as authentic cultures do, but on markets. On money.

The Acolytes of the Theotokos offers people a way out of this. This isn’t as hard as people imagine; and it doesn’t require moving to the woods or a farm and learning to live without electricity. That’s an option, of course, but we believe that in these times what is really needed is a way to build a culture which is spiritually independent from the mainstream one without having to retreat from it.

To do this takes an organized effort; more organized than one person deciding to leave everything behind, move to the forest and build a cabin, as the oft-repeated aspiration of our times goes. Someone who could actually follow through with this – after getting around the barrier of buying useful land – may come to find that physically separating from society didn’t bring them the peace they were hoping for. After spending years engulfed in the noise of the world, going into the forest didn’t make it go away. The work of restoring the peace of the spirit is a work that must be done in community, by intention, and most of all by a return to the Faith.

The long-term goal of the Acolytes is to establish a community, or communities, within existing towns or cities in which people practice a more self-sufficient and communal way of life, similar to that of the early Christians as described in the Acts of the Apostles (Acts 2:42-47). Even if this were done on a small scale, it would allow people of our generation to escape an almost certain fate of endless debt, loneliness, and unfulfilling labor, and most importantly to show that it is possible to do so. The model we propose would offer our generation a higher quality of life and a higher degree of freedom than what we are currently offered by the normal means, where even those who secure a stable career are still dependent on an economy that because of its reliance on finance capitalism is acting like a rigged slot machine that breaks down every ten years; and if you’re lucky you can spend a little less than half your lifetime paying off your mortgage.

Consumerism can only survive among a people who are losing, or have lost, a sense of cultural and religious identity, of tradition, of having a place within eternity. When an imperial power colonizes a nation, it always strengthens its rule by repressing the conquered nation’s culture; especially their practice of their faith, their language, their customs, and their education. That is because imperialists understand that these things, above all, are the source of a people’s strength, especially for those who do not have many earthly riches. If the people have no sense of unity and identity, then they have no energy to fight, nor do they understand what it is that is being taken away from them. The mercantile pop culture is acting exactly like this type of imperial oppressor in every nation in which it appears, razing the traditional way of life in exchange for profitable modern individualism, and this is perhaps most clearly the case in our poor America.

Are we communists?

Never. Many have rightfully identified capitalism for the unquestionable role it has played in creating the misery of modernity, but have come to a false conclusion that to end the suffering it has brought it should be replaced with yet another faithless, materialist ideology; communism.

This conclusion has been wholeheartedly embraced by vast portions of the population and many of our own generation, the youth.

The problem is, both capitalism and communism see reality as a mere sum of changing material conditions. Capitalism values efficiency and abundance above all, and therefore thrives on ever increasing amounts of production of unnecessary goods, regardless of the consequences. The exploitation required to meet the demands of this vicious system slowly creates a wider disparity between the classes, meanwhile encouraging wealthy nations to move their industry to foreign countries to exploit the people there too.

Communism is a shallow reaction against capitalism that sees all of human history as the history of class warfare. Therefore, says communism, all hierarchy must be destroyed. Religion, for acknowledging the hierarchy of the divine world above the mortal one, must disappear from people’s hearts so that they have hope in nothing but this passing life. The traditional arrangement of marriage and family, Marx argues in the Communist Manifesto, are just more forms of bourgeois exploitation.

Later Marxist thinkers would put forth the idea of totally destroying the existing social norms of family life – they detested the oppression and supposed patriarchy of marriage, monogamy, the raising of children by their parents as opposed to some communal model, the traditional roles of fatherhood and motherhood, and so on. If it isn’t obvious by now, this way of thinking unfortunately became quite influential in the West, and remains so up to this day. Everything that these Marxist intellectuals could wish to see happen to society’s sense of morals has been fully accomplished; and yet, our communist fairytale world never came, and capitalism is as strong as ever.

But as for us, we do not adhere to any of these earthly ideologies, but to the tradition of Οδός (the Way), the Christian Faith. This Faith is not an ideology, because it is simply authentic existence. It is the way of concord, of peace between the body and the soul, between this world and the world to come, between the temporal and the eternal. It is a holistic view of life that cannot be separated from its lived experience.

The ideologies of modernity are not organic progressions of society, and so cannot be called “progress” at all.

“We are too fond of clapping ourselves upon the back because we live in modern times, and we preen ourselves quite ridiculously (and unnecessarily) on our modern progress… Modern speculation is often a mere groping where ancient men saw clearly… There have been States in which the rich did not grind the poor, although there are no such States now; there have been free self-governing democracies, although there are few such democracies now; there have been rich and beautiful social organisations, with an art and a culture and a religion in every man’s house, though for such a thing to-day we have to search out some sequestered people living by a desolate sea-shore or in a high forgotten valley among lonely hills…”

-Padraig Pearse, The Murder Machine

Tradition embraces the romantic, intuitive impression of life that combines idealism with action, the mystical with the mundane. Because it is not dependent on trends and fashions, tradition is ever youthful and always new, while progressivism is always growing old.

Starting from the 1920s you see this pattern take shape, with some breaks in between, where the previous generation’s resistance against established morality becomes dull in the eyes of their children, and so the children resist in an even greater excess against an already weakened morality, and so on until you reach the present day, where it’s hard to say what there is even left for us to resist against, what morals there are left to be destroyed. And of course, one thing has stayed true from generation to generation, which is that these trends against morality, disastrous for the psychological and spiritual health of the people, have opened the doors to making immeasurable amounts of money for those who benefit from exploiting the culture this way.

Our Appeal

The Acolytes of the Theotokos, as stated in our member’s Club Manual, “is an organization founded for the purpose of bringing about a resurrection of spiritual identity, with its single orientation being the salvation of souls. We desire for the reign of Christ to be acknowledged in this land. For this to happen, the divine law of the apostolic Christian faith must become, as it was in the more dignified and august moments of history, the principle behind social and public life. All the activities of the nation, whether they are economic, educational, political, and so on, must all be directed to one and the same end; not to mere economic efficiency, nor to the enforcement of modernity and internationalism on the people of this world, but to the spiritual health and wellbeing of the nation’s people.”

We are unlike any other current effort at a movement like this in that we have nothing to do with politics. We are concerned only with a spiritual rejuvenation, with the awakening of conscience, with a total reorientation of society towards true peace and holiness and love. While immorality and militant unbelief reigns, there is no true peace and no true freedom, ever.

We respond to the lasting, primeval cry of humanity, the one that has haunted all of history, the unutterable cry for freedom. The communists and modernists shout for freedom, but with a voice that is hollow, empty of the truest longing of the human heart — and which has in it something of the voice of the Deceiver, the Accuser who in Eden lied to make us renounce heaven.

We, too, call for freedom, but with a voice of conviction, a voice in which there is no tone of robbery or betrayal. It is quiet, for it is the sighs of the penitent, and of hearts broken and humbled, of children crying out “Abba, Father!”

Humanity, in its aching for freedom, has ofttimes gone far from the path and reached for what curses and poisons us. We have strayed from the embrace of the Anointed One, the Christ.

Where else, O Lord, is our freedom?

Where else, our God, but in You, will we find our blissful repose?

How long shall we stay in this valley of tears, despising our inheritance and forsaking our forgiveness? How long will this time of hatred endure, while our world becomes rich in its outrages against You? Modernity has tried to take our Faith away from us; look now upon its failure. Never will we submit to the prince of this world, for “you will know the truth, and the truth will make you free.” (John viii 32)

The apokatastasis, the Restoration, must come before the final darkness which will shroud the end of this age. Peace will reign when people finally return to God who alone is the Lover of Mankind. What justification do we have to say that this generation, facing such a dark hour of history as this is, couldn’t be the one to do something so unexpected, so shocking, sweeping aside all convention and resolving to go against such staggering odds, doing the last thing we are wanted or expected to do according to the doctrine of “eternal progress”?

On our own, as scattered individuals, our potential is crushed under the weight of those combined forces of the world which seek only to hurt us. But coming together in absolute determination, our potential is endless.

There has seldom been moments as decisive as this, and we have fatefully been chosen to live through it all; either to yield to the way of death, or to take up vigilantly our course on the way of life. It is up to you; and I must tell you that it is the inevitable outcome made known to us by the immortal mythos of mankind that the way of life will prevail. That is the drama of existence; that what is innocent and peaceful must be besieged by darkness, that innocence may gloriously triumph over the vainglory of sin.

“We seem to have lost; but we have not lost. 
To refuse to fight would have been to lose; to fight is to win. 
We have kept faith with the past, 
and handed on its tradition to the future.”
-Pádraig Pearse